Meet Nicodemus Dartmouth

I don't know who to blame: Blogger for not allowing me to post pictures, (although I've done it before) or my lack in keeping up with Blogspot's changes. Either way, this dull explanation is sitting in for the picture of author Phyliss Miranda and the hot cover of her latest book. You can see the pictures that I'm unable to copy at Phyliss Miranda's website: phylissmiranda.com. But first, learn what my guest blogger has to say about her character, Nicodemus Dartmouth.   --  Bernice Simpson

Meet Nicodemus Dartmouth

by

Phyliss Miranda

I’m honored to introduce you to Nicodemus Dartmouth, my hero, in my September 5^th eKensington release The Tycoon and the Texan.

Before we begin with the interview, I’d like to give you the background on both how I selected the plot and Nick’s last name. I truly believe it was a gift from above.

My husband and I have friends who we've know for over forty years and vacationed with since their boys and our girls were young. 

In 2002, my DH and I were on our way to meet them in Florida when we received a call, thank goodness for cell phones, that Harry had emergency heart surgery. He was in a coma, and the future was uncertain.  We immediately turned our car north and headed for Dartmouth Medical Center where he laid critically ill for weeks.  We were determined not to leave until he and Pat were safely home under their own roof.  And, that we did. 

One day while sitting in the waiting room, my attention was drawn to a show on TV, you know the ones up in the corner of the room you have to crane your neck to see and can barely hear, that pertained to a foundation’s auction of bachelors for charity. That seeded the idea for a story about a strong, multi-millionaire who ends up buying an ugly duckling at his own foundation’s charity ball. Of course, she had to be from Texas, and his name had to be as strong and willful as my character, so Nicodemus Dartmouth was born.

Now nearly ten years and many vacations together later, my story The Tycoon and the Texan came out recently and needless to say, I dedicated it to our dearest friends.  

Let’s get on with learning more about Nicodamus Dartmouth. I’m gonna let him tell you about himself first, and then he’ll answer questions if you care to post them.

I don’t really like being referred to as a tycoon because I see myself as just another hardworking man in his 30’s. I have to admit being a product of a wealthy, widowed mother, who I don’t always see eye-to-eye with, did have its benefits. I worked my fingers to the bone to establish one of the largest construction firms on the west coast, while being CEO of Mother’s charity ... the Elliott-Dartmouth foundation.  I own a Double A baseball farm team and love to workout with my players.  Mother is pretty well appalled when I show up at the office with bloody road rash showing threw a tear in my baseball pants.  By the way, Josie, the Foundation Director and mother hen, thinks I belong in the dog pound. I have one supporter in the organization, well most of the time, and that’s McCall Johnson, who used to be my secretary at the construction company until I transferred her over to the foundation when I found myself crawling up twenty stores of red iron thinking about her.

Now back to the charity auction that Phyliss mentioned. Mother thought it was a grand idea to auction off bachelorettes, while I told her from the start is was a bad, really bad idea.  She called me into the office to go over the final arrangements, including the table decorations.  I need to be out at the construction company offices arranging for a shipment of material we don’t need to be shipped to Habitat for Humanity, but no I’m standing here looking at a bunch of flowers stuffed in a vase. I won’t even tell you what I think about them because Mother sure didn't approve of my description.

The auction was a nightmare, just as I had predicted, although it raised a lot of money for the foundation ... a good bit coming from me.

The jinks I apparently put on the event began when one of the bachelorettes called in sick and our resident Texan McCall Johnson was forced to step in. In an unexpected turn of events, and I have to admit a bit of jealousy on my part to boot, I ended up paying what McCall called “a vulgar” amount for a week long date with her.

That began our adventures ... seven days to Texas.

I wanted so badly to show her that our lives weren't that much different, but at every turn, I hit a roadblock.  From nearly cutting my finger off trying to prepare dinner on my private boat for her to seeing a ghost on Harris Grade coming out of Lompoc, California, something got in my way of showing her that I don’t get everything I want, although she thinks I do.

It took me the full seven days, plus some while visiting her Granny’s ranch in Texas, but I finally succeeded at showing the independent, spirited, uprooted Texan that our lives aren't as different as it might seem, only to find that we are more alike than I ever dreamed ... including our secrets.

I hope you’ll go buy The Tycoon and the Texan by native Texan, Phyliss Miranda, so you can learn more about me and Miss McCall Johnson.  By the way, if I have my way, she won’t be a Miss much longer.

New York Times and USA Today bestselling author Phyliss Miranda is the author of six historical western romance anthologies and her contemporary romance The Tycoon and the Texan is scheduled to be released on September 5, 2013, with her second eBook The Troubled Texan due out early 2014. Phyliss is the 2007 recipient of Panhandle Professional Writers’ Writer of the Year award. She enjoys sharing her love for the new frontier, particularly the Texas Panhandle, the Civil War, quilting, and antiques; and still believes in the Code of the Old West.
 

Visit her at phylissmiranda.com

  

Types and Tips: Notes on the critique of various genres

In the ideal critique group, members write in the same genre. The advantage is they read a manuscript from the same perspective. It enables them to help one another with problems particular to their genre. They respect the critique from one of their own over writers who are not familiar with what their reading audience wants.

For recreational reading, writers tend to stick to their favorite genera—the one they write in. In a mixed-genre group they have doubts. Will the poet receive an adequate critique from a journalist who never reads poetry? Conversely, is the poet confident she can critique a children’s picture book? She lacks the expertise needed to evaluate it, doesn't she? Maybe not.

A writing mixture comprises most groups. Since, from a critique standpoint each writing type does present its own challenges; your critiques improve when you expand your reading.

Six Reading Suggestions to Improve Your Edits and Critiques 

1.      Read outside your genre, and when you do, read with a critical mind. If you write hot romance, pick up a contemporary novel from a Christian bookstore. How does its author handle love scenes? For an example of sizzle without smut, read “Just Down the Road.” by Jodi Thomas.

2.      Are you a mainstream novelist? Spend spare minutes with popular magazines or essays for a month. Borrow an armful of picture books and read to a three-year-old.

3.      Raise your level of attention to what you see in print throughout a typical day. If your style is literary, give business letters extra attention. When you use the Internet, notice what grabs you and what you find annoying. Have you noticed how much “computer help” is written in techie jargon?  If given the chance, could you advise those writers on how to inform or instruct in plain English?

4.      Pick up a readers’ guide to poetry to gain insight into the craft.

5.      Notice travel guides. Compare them to travel advertisements.

6.      Ask members of your group for a list of their favorite books. Chances are they will lead you to their genre’s classics. You’ll gain an idea of what those writers are aiming for, and you may gain new respect for that writing variety.

Learning takes time, but there is a payoff. As you gain knowledge of genres outside your comfort zone, expect a ripple effect: the analytic prowess you develop will give you fresh insights to your own work.

In the meantime, if your ability to make specific pointers is limited, you can lubricate a writer’s gears. Freelance writer, Gilda Bryant suggests this critique sandwich: encourage, make suggestions, encourage.

© 2012, Bernice W. Simpson